The 3-day event is sponsored by the Dallas Symphony Orchestra and is now in its fourth year. The symposium's organizers say despite the fact that more women graduate from prominent conservatories and schools of music than their male counterparts, they are "severely underrepresented in titled conducting positions, in programming by major orchestras, on stage as soloists, and in management leadership positions."
Read MoreQuinteto Latino's mission is to disrupt racial and economic disparities within the classical music field by championing past, present, and future contributions by Latino composers and musicians. The organization promotes classical music by Latino and Latin American composers through performances, commissions, mentoring, and child and adult education.
Read MoreWhile this story may seem inappropriate, exaggerated, and even far-fetched for many classical concert goers, the reality of gun violence is becoming more widespread and normalized across American society. As of mid-July, 2022, over 300 mass shootings had been reported in the United States, with associated deaths stacking up to over 60. Orchestral and opera venues have long been considered “safe spaces” where issues of systemic racism, patriarchal norms, and class division (among others) have been pushed to the proverbial nosebleeds, but as the issue of gun violence continues to grow, so should the attention that arts institutions are paying this issue.
Read MoreThe new “2022 Orchestra Repertoire Report” says that over the last several years there’s been an increase in how often American orchestras perform works by composers of color, women composers, and living composers. The report also examined programming trends dating back from 2015 to the current season.
The study was produced by SUNY Fredonia’s Institute for Composer Diversity, in partnership with the League of American Orchestras, with support from the Sphinx Organization’s Venture Fund. Data for the study was gathered from season announcements and the websites of medium and larger budget orchestras.
Read MoreThe Women Composers Festival will highlight performances by dozens of women composers on May 27 at The Church of the Epiphany in Washington and May 28 at AMP by Strathmore in North Bethesda, Md.
The two-day event is hosted by Boulanger Initiative, a nonprofit whose mission is to promote music composed by women through performance, education, research, consulting and commissions. Boulanger Initiative advocates for women and all gender marginalized composers.
Read MoreThe four day “Bent Not Broken” choral conference highlighting the works of Black choral composers will take place April 27 to 30 at Grace United Methodist Church in Wilmington, DE.
Organized by The Choir School of Delaware, the event will feature the American Spiritual Ensemble, led by conductor Everett McCorvey; EXIGENCE, led by conductor Eugene Rogers; Westminster Choir College Jubilee Singers, led by conductor Vinroy J. Brown, Jr.; the St. Thomas Gospel Choir; and the Choir School of Delaware, with conductor Jason Max Ferdinand.
The event will include a variety of workshops and seminars led by distinguished guest lecturers, and an Honor Choir of choristers age 12+ from youth community choirs, conducted by Alysia Lee and Maria Ellis.
Read MoreRepresent Classical’s popular video series, CONVERSATIONS, is now available to listen to on Spotify.
Hosted by Christine S. Escobar, Founder and Editor of Represent Classical, each episode of “CONVERSATIONS” features in depth interviews with industry leaders, notable musicians, movers, shakers, and innovators in classical music and related genres.
Stay tuned for Season 2 beginning in late spring with more insightful and thought-provoking discussions on the change that musicians of color are creating in the music industry.
Read MoreThe Dream Unfinished is one of numerous grassroots, activist orchestras that have emerged in recent years across the country. Their existence is a form of resistance against mainstream classical institutions that have been slow to change and diversify.
The concert, organized by arts administrator and clarinetist, Eun Lee, was a direct response to the killing of Eric Garner at the hands of New York police. Held at Centennial Memorial Temple in New York, the performance featured music by activist composer Leonard Bernstein and William Grant Still, considered the “dean” of African American composers, and speeches by activists including Garner’s daughter, Erica. Proceeds from ticket sales went to the Center for Constitutional Rights, Justice League NYC, and the National Coalition of Law Enforcement Officers for Justice.
Read MoreWith just under one month to go until their groundbreaking Carnegie Hall season feature on Sunday April 24, the Gateways Music Festival Orchestra, composed entirely of Black musicians, will perform for a capacity audience as tickets for the concert are nearly sold out.
The 7 day Gateways Music Festival, which runs from April 18 to 24, consists of two full orchestra concerts, six chamber music performances, two piano recitals, two film screenings, two lectures, a panel discussion, a Young Musicians Institute, and an “after hours” jam session.
Read MoreRC Editor Christine S. Escobar speaks with Armando Castellano: President, Founder and Artistic Director of Quinteto Latino in the latest installment of “Conversations” about the contributions and experience of Latinx/Latin Americans to classical music, and the importance of changing the nature of arts leadership.
Each episode of Represent Classical’s “Conversations” series features in depth interviews with industry leaders, notable musicians, movers, shakers, and innovators.
Read MoreThursday at the League of American Orchestras virtual conference “Embracing a Changed World”, a number of leading figures held discussions in two sessions focused on racial equity, diversity, and inclusion (EDI). They focused on tangible solutions to barriers facing orchestras and organizations attempting to reckon with equity, diversity, and inclusion from within.
Read MoreThe League of American Orchestras’ upcoming annual conference, “Embracing A Changed World”, will be held Monday, June 7 to Thursday, June 17 virtually online.
Read MoreThe International Contemporary Ensemble, in partnership with Opera Omaha and FringeArts, presents the Afro-Diasporic Opera Forum online from May 26-28.
The Forum is a free, three-day series of online events produced by colleagues and collaborators of the International Contemporary Ensemble to celebrate, share, and reflect on four operas that have made a major impact on the organization and its collaborators.
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