On September 15, violinist Vijay Gupta, cellist Joel Noyes, and Kuchipudi dancer Yamini Kalluri had intended to present “Beyond Borders”, a multidisciplinary Groupmuse event combining poetry, classical music, and dance. The lingering existence of COVID-19 unfortunately necessitated a change in the programming. With Kalluri having tested positive the morning of, the remaining performers regrouped on this evening in Brooklyn, NY at Christ Church Cobble Hill that celebrated the eclectic and the intentional.
Read MoreOng is the first recipient of FilAm Music Foundation’s New York City Recital Debut Award. He is a member of the young artists roster of the FilAm Music Foundation. Victor Santiago Asuncion, internationally acclaimed pianist and founder and artistic director of the FilAm Music Foundation, will accompany Ong on piano.
Read MoreChineke!, Europe’s first majority-Black and ethnically diverse orchestra, led by conductor Andrew Grams, will make its inaugural North American tour this month performing in six cities across Canada and the U.S.
Read MoreThe action was the longest strike by adjunct college faculty in U.S. history and part of an increasing trend in worker uprisings at U.S. colleges and universities this year.
According to a post on the union's strike update website "You Are The New School", the agreement represents what part-time faculty are calling "significant achievements" for the teachers who make up about 87% of the school's faculty.
Read MoreThis year BIPOC classical composers' works have been Grammy nominated in several award categories and BIPOC classical musicians perform on a number of Grammy nominated recordings in the Classical Music category, as well as the Americana category.
Read MoreFrom the first enchanting scale that echoed through the space, the Wednesday audience at Williamsburg’s art-laden, intimate, behind-a-record-store venue Shiftwere in for a rare treat. Mumbai-based sitarist Megha Rawoot offered a 45-minute set of rhapsodic solo music that served as testament to the versatile capabilities of her chosen instrument and to her own world-class abilities.
Read Morehe positive, residual impact of this dialogue-based approach toward change can’t be denied; however, it’s becoming increasingly difficult to address today’s missteps and examples of inequity in performance spaces by and with words alone. It begs the question: What should the next stage of change-making in the arts look like, considering the relative normalization of the talk-centric aspects of this work?
Read MoreThe Indo-American Arts Council, a New York City based non-profit that promotes Indian theater, performing arts, media, fashion, and literature in the United States, will celebrate 75 years of Indian independence this month with three concerts August 13 to 15 at Carnegie Hall featuring top Indian classical and contemporary musicians.
Read MoreWhile this story may seem inappropriate, exaggerated, and even far-fetched for many classical concert goers, the reality of gun violence is becoming more widespread and normalized across American society. As of mid-July, 2022, over 300 mass shootings had been reported in the United States, with associated deaths stacking up to over 60. Orchestral and opera venues have long been considered “safe spaces” where issues of systemic racism, patriarchal norms, and class division (among others) have been pushed to the proverbial nosebleeds, but as the issue of gun violence continues to grow, so should the attention that arts institutions are paying this issue.
Read MoreDo you remember the first time you went to go see a live production of an opera? Maybe it was during a school field trip, or for a date that you wanted to impress. I’ve met people whose first experience in an opera house was born out of a pure curiosity that led to the purchase of a ticket.
Everyone has a different story about their introduction to this art form, but what isn’t engaged as much is the residual emotional impact of said introduction. For me, the introduction came by way of performing on the stage, but I wasn’t able to measure the emotional impact opera had on me until I engaged opera as an audience member.
Read MoreA musical rebirth and celebration, Phoenix Rising takes a cross-section of Silkroad’s award-winning compositions and arrangements and re-imagines them for today. With this in mind, members of the Silkroad Ensemble and Giddens collaborated on new works that coalesce Giddens unique worldview with the Ensemble’s collective experience during the pandemic.
Phoenix Rising will unveil three new commissions by Silkroad artists Sandeep Das, Maeve Gilchrist, and Kaoru Watanabe. The program also includes new arrangements by Rhiannon Giddens, Colin Jacobsen, Edward Pérez, and Mazz Swift.
Giddens and 13 Silkroad artists will visit venues in Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Virginia.
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