Posts in justice reform
Sound Off: Music for Bail Opens Its 2023-2024 Season at People's Forum

The program features music by notable Black, Brown, and Asian historical and living composers performed by violinists Aurora Mendez and Celina Farmer, violist Jay Julio, and cellist Angelique Montes. Featured speaker Tatiana Hill will offer a history of her work with the NYC Office of the Community Liaison in the wake of Judge Shira Scheindlin’s 2013 ruling that “stop-and-frisk” policies are unconstitutional, and the path forward ten years later. General admission tickets are $15. Proceeds from these concerts directly support musicians and speakers. Free tickets are available at request to remove financial barriers to attendance.

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Sound Off, Planetary Music Project, PROTESTRA & VOCAL-NY Collab For Concert of Chamber and Orchestral Works at Robert Moss Theater  

In collaboration with Groupmuse’s Planetary Music Movement and PROTESTRA, Sound Off: Music for Bail presents a hybrid program of chamber and orchestral music by leading contemporary and historical Black American composers alongside "Yet Unheard" a cantata dedicated to the life and memory of Sandra Bland by Rome Prize-winning composer Dr. Courtney Bryan at Playwrights Horizons Downtown.

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When Gun Violence Erupts Again, Will The Concert Hall Be Spared? Not Unless We Act Now

While this story may seem inappropriate, exaggerated, and even far-fetched for many classical concert goers, the reality of gun violence is becoming more widespread and normalized across American society. As of mid-July, 2022, over 300 mass shootings had been reported in the United States, with associated deaths stacking up to over 60. Orchestral and opera venues have long been considered “safe spaces” where issues of systemic racism, patriarchal norms, and class division (among others) have been pushed to the proverbial nosebleeds, but as the issue of gun violence continues to grow, so should the attention that arts institutions are paying this issue. 

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BMOP, Odyssey Opera to Perform and Record Davis’ “X: The Life and Times of Malcolm X”

The opera, written by Pulitzer Prize-winning composer Anthony Davis, debuted in 1986. This new performance will be staged just a short distance from the house in the Roxbury neighborhood where Malcolm X (1925-1965), born Malcolm Little, lived during his formative adolescence.

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Opera Programming: When is Representation At Odds With Cultural Sensitivity?

Do you remember the first time you went to go see a live production of an opera? Maybe it was during a school field trip, or for a date that you wanted to impress. I’ve met people whose first experience in an opera house was born out of a pure curiosity that led to the purchase of a ticket.

Everyone has a different story about their introduction to this art form, but what isn’t engaged as much is the residual emotional impact of said introduction. For me, the introduction came by way of performing on the stage, but I wasn’t able to measure the emotional impact opera had on me until I engaged opera as an audience member.

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CONVERSATIONS Season 1 Now Available on Spotify

Represent Classical’s popular video series, CONVERSATIONS, is now available to listen to on Spotify.

Hosted by Christine S. Escobar, Founder and Editor of Represent Classical, each episode of “CONVERSATIONS” features in depth interviews with industry leaders, notable musicians, movers, shakers, and innovators in classical music and related genres.

Stay tuned for Season 2 beginning in late spring with more insightful and thought-provoking discussions on the change that musicians of color are creating in the music industry.

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Resisting the Eurocentric Paradigm: Activist Classical Music Groups Effect Change

The Dream Unfinished is one of numerous grassroots, activist orchestras that have emerged in recent years across the country. Their existence is a form of resistance against mainstream classical institutions that have been slow to change and diversify.

The concert, organized by arts administrator and clarinetist, Eun Lee, was a direct response to the killing of Eric Garner at the hands of New York police. Held at Centennial Memorial Temple in New York, the performance featured music by activist composer Leonard Bernstein and William Grant Still, considered the “dean” of African American composers, and speeches by activists including Garner’s daughter, Erica. Proceeds from ticket sales went to the Center for Constitutional Rights, Justice League NYC, and the National Coalition of Law Enforcement Officers for Justice.

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Opinion: “Another Opera for White People”

Diversity, equity, and inclusion, as engaged by arts institutions across the country, have centered performers, but what about audience members? With a few exceptions (including the diverse audience turnout for the Metropolitan Opera’s “Fire Shut Up In My Bones”), opera audiences remain predominantly white.

The creation of a fictional, white character in “Emmett Till” for the sake of affirming the feelings of these predominantly white audiences is not only a perpetuation of a status quo that countless arts administrators, advocates, and activists work to dismantle, but a celebration of it.

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COLUMN: Escaping Escapism - Arts Institutions in Times of World Tragedy

It would be a long shot (no pun intended) to expect orchestral musicians, for example, to put down their instruments and pick up weapons, but there are steps that can and have been made in the arts sector toward supporting the people of Ukraine during this most challenging time. What does support for Ukraine from arts organizations look like, though? It's a question that a few arts institutions have engaged directly, one that holds historical precedent, and even one that could challenge the very notion of an arts organization's role in this broad world of social and political challenge.

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WORLD PREMIERE: National Phil Performs Hailstork and Martin’s Requiem for George Floyd

The National Philharmonic Orchestra and Chorale, in partnership with The Washington Chorus, will present the world premiere of composer Adolphus Hailstork and librettist Herbert Martin’s Requiem Cantata in memory of George Floyd: “America’s Requiem – A Knee on The Neck” on March 26 and March 28 in Bethesda, MD.

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EVENTS: "Girls of Yellow Diamonds" Concert To Honor Asian American Women

Wear Yellow Proudly will present “Girls of Yellow Diamonds” a concert featuring Asian women composers and poets Friday, March 11 at 7:30 pm. ET at the Academy of Vocal Arts in Philadelphia.

The event aims to uplift the stories of Asian women, honor the memory of the victims of the March 2021 Atlanta shootings, and celebrate International Women’s Day. Mezzo-sopranos Alice Chung, Sophia Maekawa, Pauline Tan, and pianist Ting Ting Wong will perform.

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Classical Music Industry Leaders On the What, Why, and How of EDI

Thursday at the League of American Orchestras virtual conference “Embracing a Changed World”, a number of leading figures held discussions in two sessions focused on racial equity, diversity, and inclusion (EDI). They focused on tangible solutions to barriers facing orchestras and organizations attempting to reckon with equity, diversity, and inclusion from within.

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FRIDAY: Sound Off-Live from Broadway Presbyterian Church

Sound Off: Music for Bail presents a livestreamed concert beamed live from Broadway Presbyterian Church, featuring four of New York City's finest chamber musicians in a program of music by historical and contemporary Black American composers.

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Sound Off x Justice Committee: Celebrating Richie Perez

Sound Off: Music for Bail presents a pre-recorded and livestreamed Groupmuse concert Wednesday March 31 at 7 p.m. ET in collaboration with the Justice Committee to celebrate the life of co-founder Richie Perez and his incredible impact. Proceeds from the concert directly benefit performing musicians' stipends and the Justice Committee’s liberatory work.

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Abolish the Systems of Anti-Asian Racism and Xenophobia in Industry and Community

In the history of the United States, there exists no industry or institution that has been spared from the systemic oppression of white supremacy. This publication was founded to push back on the pervasiveness of white supremacy within the industry of classical music.

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Tonight: Activist Orchestra "The Dream Unfinished" Debuts New Show

Tonight at 4:30 p.m. EST, The Dream Unfinished will debut a new YouTube series spotlighting the economics and labor of learning repertoire outside of the classical music canon, lesser-known masterworks by underrepresented composers, diversity, equity, and inclusion within classical music, and concrete tips for everyday people to become instruments for change.

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Composition for Abolition: How Sound Off is Changing the Nation One Note at a Time

Saturday, February 27 at 7 p.m. EST, Sound Off: Music for Bail will present a live-streamed concert featuring string quartets by Florence Price, Yaz Lancaster, and George Walker with the support of the Groupmuse Foundation’s Planetary Music Movement (PMM).

The abolitionist musical collective Sound Off: Music for Bail celebrates Black composers and raises money for national bail funds in a live-streamed concert on Groupmuse, an online concert platform.

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Composer J.E. Hernandez' "Voces Fantasmas" Honors The Plight of Detained Immigrants

“Voces Fantasmas” by Houston-based Mexican American composer and filmmaker J.E. Hernandez is a multi-disciplinary artistic work that honors immigrants being held in U.S. federal detention. It is based on Hernandez’ own 60 day imprisonment at Houston Immigrant Detention Center.

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Sound Off x Bass Players for Black Composers: New Works for the New Year

Sound Off: Music for Bail presents a recorded concert in collaboration with Bass Players for Black Composers, a performing and commissioning organization that "encourages the expansion of solo repertoire for bass and the normalization of works by Black composers through commissioning diverse artists in all stages of their careers, disseminating works, facilitating performances, and producing educational programs."

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Sound Off: Music For Bail x The City Reliquary: Dorothy Rudd Moore & More

Sound Off: Music for Bail will host a livestream premiere at 7 p.m. EST on November 14 from Brooklyn’s City Reliquary museum featuring Dorothy Rudd Moore’s “Modes”, Felix Mendelssohn's String Quartet No. 4, Op. 44 No. 2, and William Grant Still's “Lyric Quartette”. The evening’s performance of Moore’s "Modes" will be the first ever full recording of this work.

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