Archive — Represent Classical

Posts in composers

New Report Says U.S. Orchestras Are Programming More Works by Composers of Color and Women

New Report Says U.S. Orchestras Are Programming More Works by Composers of Color and Women

The new “2022 Orchestra Repertoire Report” says that over the last several years there’s been an increase in how often American orchestras perform works by composers of color, women composers, and living composers. The report also examined programming trends dating back from 2015 to the current season.

The study was produced by SUNY Fredonia’s Institute for Composer Diversity, in partnership with the League of American Orchestras, with support from the Sphinx Organization’s Venture Fund. Data for the study was gathered from season announcements and the websites of medium and larger budget orchestras.

Silkroad Ensemble to Tour "Phoenix Rising" with Rhiannon Giddens This Summer

Silkroad Ensemble to Tour "Phoenix Rising" with Rhiannon Giddens This Summer

A musical rebirth and celebration, Phoenix Rising takes a cross-section of Silkroad’s award-winning compositions and arrangements and re-imagines them for today. With this in mind, members of the Silkroad Ensemble and Giddens collaborated on new works that coalesce Giddens unique worldview with the Ensemble’s collective experience during the pandemic.

Phoenix Rising will unveil three new commissions by Silkroad artists Sandeep Das, Maeve Gilchrist, and Kaoru Watanabe. The program also includes new arrangements by Rhiannon Giddens, Colin Jacobsen, Edward Pérez, and Mazz Swift.

Giddens and 13 Silkroad artists will visit venues in Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Virginia.

4th Annual Women Composers Fest to Feature Grammy Winning Headliners

4th Annual Women Composers Fest to Feature Grammy Winning Headliners

The Women Composers Festival will highlight performances by dozens of women composers on May 27 at The Church of the Epiphany in Washington and May 28 at AMP by Strathmore in North Bethesda, Md.

The two-day event is hosted by Boulanger Initiative, a nonprofit whose mission is to promote music composed by women through performance, education, research, consulting and commissions. Boulanger Initiative advocates for women and all gender marginalized composers.

AMVA and PAO Arts Present Concert Celebrating AAPI Composers and Performers

AMVA and PAO Arts Present Concert Celebrating AAPI Composers and Performers

Asian Musical Voices of America and PAO Arts Center present “Our Objects and Possibilities”, a concert celebrating AAPI composers and performers on Friday, May 6, 7:30 p.m. to 9:00 p.m. at the PAO Arts Center at 99 Albany Street in Boston, MA.

Works by Ken Ueno, Iman Habibi, JungYoon Wie, and Michael Thomas Foumai will be featured.

Performers include violinists Lucia Lin, Jae Lee, and Hyeyung Sol Yoon, violist Sarah Darling, cellist Leo Eguchi, and harpist Charles Overton.

Eastman School of Music Dedicates New George Walker Center for Equity and Inclusion in Music

Eastman School of Music Dedicates New George Walker Center for Equity and Inclusion in Music

The George Walker Center for Equity and Inclusion in Music opened April 16 at the Eastman School campus at the University of Rochester campus.

The dedication included remarks by University of Rochester President Sarah Mangelsdorf; Jamal J. Rossi, Joan and Martin Messinger Dean at Eastman; Ian and Gregory Walker, sons of George Walker, and others, as well as performances of Walker’s chamber music works.

Bent Not Broken Choral Conference Showcases Black Composers

Bent Not Broken Choral Conference Showcases Black Composers

The four day “Bent Not Broken” choral conference highlighting the works of Black choral composers will take place April 27 to 30 at Grace United Methodist Church in Wilmington, DE.

Organized by The Choir School of Delaware, the event will feature the American Spiritual Ensemble, led by conductor Everett McCorvey; EXIGENCE, led by conductor Eugene Rogers; Westminster Choir College Jubilee Singers, led by conductor Vinroy J. Brown, Jr.; the St. Thomas Gospel Choir; and the Choir School of Delaware, with conductor Jason Max Ferdinand.

The event will include a variety of workshops and seminars led by distinguished guest lecturers, and an Honor Choir of choristers age 12+ from youth community choirs, conducted by Alysia Lee and Maria Ellis.

CONVERSATIONS Season 1 Now Available on Spotify

CONVERSATIONS Season 1 Now Available on Spotify

Represent Classical’s popular video series, CONVERSATIONS, is now available to listen to on Spotify.

Hosted by Christine S. Escobar, Founder and Editor of Represent Classical, each episode of “CONVERSATIONS” features in depth interviews with industry leaders, notable musicians, movers, shakers, and innovators in classical music and related genres.

Stay tuned for Season 2 beginning in late spring with more insightful and thought-provoking discussions on the change that musicians of color are creating in the music industry.

american orchestras, artist feature, arts activism, audio, awards, ballet, bass, books, chamber music, commissions, competitions, composers, conferences, conservatories, dance, fellowships, forums, funding, in person concerts, in person events, inspiration, international, interviews, justice reform, music, music administration, music education, music history, music schools, musicology, new release, opera, opportunities, orchestras, premieres, scholarships, season announcements, social justice, solo performances, strings, summer programs, support for BBIPOC music, tour dates, video, virtual concerts, young artists, youth orchestras, announcements, podcastChristine EscobarApril 18, 2022Conversations, interviews, music, musicians of color, musicians, composers of color, orchestras, classical music, audioo, audio, video, series, featured artists, BBIPOC musicians, BBIPOC classical musicians, BBIPOC composers, support for BBIPOC music, podcast

Resisting the Eurocentric Paradigm: Activist Classical Music Groups Effect Change

Resisting the Eurocentric Paradigm: Activist Classical Music Groups Effect Change

The Dream Unfinished is one of numerous grassroots, activist orchestras that have emerged in recent years across the country. Their existence is a form of resistance against mainstream classical institutions that have been slow to change and diversify.

The concert, organized by arts administrator and clarinetist, Eun Lee, was a direct response to the killing of Eric Garner at the hands of New York police. Held at Centennial Memorial Temple in New York, the performance featured music by activist composer Leonard Bernstein and William Grant Still, considered the “dean” of African American composers, and speeches by activists including Garner’s daughter, Erica. Proceeds from ticket sales went to the Center for Constitutional Rights, Justice League NYC, and the National Coalition of Law Enforcement Officers for Justice.

SMU Data Arts Industry Report on Employment Reveals Deep Disparity Between White and BIPOC Workers

SMU Data Arts Industry Report on Employment Reveals Deep Disparity Between White and BIPOC Workers

According to a newly published report by SMU Data Arts, unemployment in the arts doubled that of the national average in the U.S., with BIPOC individuals and those with disabilities bearing the brunt of the impact.

Although employment returned for some workers of the arts sector, this recovery appears to have been virtually nonexistent for BIPOC and disabled workers.

The Dessoff Choirs to Perform NY Premiere of Margaret Bonds Cantatas

The Dessoff Choirs to Perform NY Premiere of Margaret Bonds Cantatas

The Dessoff Choirs celebrates the late African American composer Margaret Bonds, at the Church of the Heavenly Rest, in New York City, on April 28 at 7:30 p.m., a pre-concert talk begins at 6:45 p.m.

Born in Chicago, Margaret Bonds (1913-1972) was a pianist, a composer, an arranger, and a music teacher. She was one of the first Black composers and performers to gain popular recognition in the U.S., being the first Black soloist to perform with the Chicago Symphony Orchestra. She was also a strong fighter for civil rights, and is remembered for her arrangements of African American spirituals.

The Dessoff Choirs concert features the New York premieres of the orchestral versions of two neglected Bonds cantatas: Credo inspired by a W.E.B. Du Bois essay, and Simon Bore the Cross (edition by Malcolm J. Merriweather), a collaboration with Langston Hughes.

The Grammys and The Challenge of Equitable Diversity

The Grammys and The Challenge of Equitable Diversity

Chart-topping artists like Lil Nas X walked away empty handed, but people like Jazmine Sullivan and Doja Cat reaffirmed their footing with fans, and the Recording Academy, by taking home the highly coveted trophy in their respective categories. Even the biggest award, the Grammy for “Album of the Year”, went to Jon Batiste, who himself seemed to be surprised when his name was called, making him the 11th Black artist to win this award in Grammy history.

With these, and several other Black artists taking home awards, it would seem that the Recording Academy is paying close attention to the continued push for more Black representation in the way these awards are distributed, but a closer look shows there is still a high level of marginalization toward Black artists that many people ignore in light of the success of a select few.

All Black Gateways Orchestra To Perform To Capacity Audience at Carnegie Hall Debut

All Black Gateways Orchestra To Perform To Capacity Audience at Carnegie Hall Debut

With just under one month to go until their groundbreaking Carnegie Hall season feature on Sunday April 24, the Gateways Music Festival Orchestra, composed entirely of Black musicians, will perform for a capacity audience as tickets for the concert are nearly sold out.

The 7 day Gateways Music Festival, which runs from April 18 to 24, consists of two full orchestra concerts, six chamber music performances, two piano recitals, two film screenings, two lectures, a panel discussion, a Young Musicians Institute, and an “after hours” jam session.

Opinion: “Another Opera for White People”

Opinion: “Another Opera for White People”

Diversity, equity, and inclusion, as engaged by arts institutions across the country, have centered performers, but what about audience members? With a few exceptions (including the diverse audience turnout for the Metropolitan Opera’s “Fire Shut Up In My Bones”), opera audiences remain predominantly white.

The creation of a fictional, white character in “Emmett Till” for the sake of affirming the feelings of these predominantly white audiences is not only a perpetuation of a status quo that countless arts administrators, advocates, and activists work to dismantle, but a celebration of it.

WORLD PREMIERE: National Phil Performs Hailstork and Martin’s Requiem for George Floyd

WORLD PREMIERE: National Phil Performs Hailstork and Martin’s Requiem for George Floyd

The National Philharmonic Orchestra and Chorale, in partnership with The Washington Chorus, will present the world premiere of composer Adolphus Hailstork and librettist Herbert Martin’s Requiem Cantata in memory of George Floyd: “America’s Requiem – A Knee on The Neck” on March 26 and March 28 in Bethesda, MD.

EVENTS: "Girls of Yellow Diamonds" Concert To Honor Asian American Women

EVENTS: "Girls of Yellow Diamonds" Concert To Honor Asian American Women

Wear Yellow Proudly will present “Girls of Yellow Diamonds” a concert featuring Asian women composers and poets Friday, March 11 at 7:30 pm. ET at the Academy of Vocal Arts in Philadelphia.

The event aims to uplift the stories of Asian women, honor the memory of the victims of the March 2021 Atlanta shootings, and celebrate International Women’s Day. Mezzo-sopranos Alice Chung, Sophia Maekawa, Pauline Tan, and pianist Ting Ting Wong will perform.

NEW RELEASE: James Sanders & Conjunto "Evidencia"

NEW RELEASE: James Sanders & Conjunto "Evidencia"

James Sanders and his Latin jazz ensemble Conjunto, will celebrate the release of their new album, Evidencia on Friday at 8:30 p.m. with a performance at Constellation in Chicago.

Sanders is a violinist with the Chicago Sinfonietta orchestra, where he’s been a member since 1993. Though he didn’t study jazz during his college career or prior (he is a graduate of Yale), his dual musical citizenship, was mirrored in his bilingual upbringing.

EVENTS: Midwest Premiere of "The Chevalier"-Music of The Baroque ft. Brendan Elliott

EVENTS: Midwest Premiere of "The Chevalier"-Music of The Baroque ft. Brendan Elliott

Music of the Baroque will perform the Midwest debut of the concert theater work “The Chevalier”, written by Bill Barclay and featuring violinist Brendan Elliott, February 18 to 20 in Chicago.

NEW RELEASE: Catalyst Quartet ft. Michelle Cann "UNCOVERED Volume 2: Florence B. Price"

NEW RELEASE: Catalyst Quartet ft. Michelle Cann "UNCOVERED Volume 2: Florence B. Price"

Catalyst Quartet today releases UNCOVERED Volume 2: Florence B. Price on Azica Records. The 2-CD length digital album is the second in a series of a multi-volume anthology highlighting the GRAMMY award-winning string quartet’s works by important Black composers.

Volume 2 is entirely devoted to the six known string quartet and piano quintet works of composer Florence B. Price – including four world premiere recordings – performed with pianist Michelle Cann, recipient of the 2021 Price Award.

“Cool Story”: Jonathan Bingham's Plan to Record and Publish Unheard Howard Composers

“Cool Story”: Jonathan Bingham's Plan to Record and Publish Unheard Howard Composers

As a student at Howard University in 2010, composer Jonathan Bingham attended a small chamber music concert by “The President’s Own” United States Marine String Quartet with about 40 other audience members. On the program was the 1st movement of a string quartet by the late composer Mark Fax (1911-1974). A private recording of the concert was made by Howard and shared with Bingham and other composition students and faculty.

Sphinx Org Announces 2022 Venture Fund Recipients

Sphinx Org Announces 2022 Venture Fund Recipients

The Sphinx Organization has awarded two grants of $100,000 and one grant of $97,500 for 3 projects that meet the Sphinx Venture Fund’s mission to support initiatives designed to solve a challenge or an issue related to diversity, equity, and inclusion (DEI) in classical music.

american orchestras, awards, chamber music, competitions, composers, commissions, conservatories, funding, music, music administration, music education, music schools, opera, opportunities, orchestras, social justice, strings, support for BBIPOC music, young artistsChristine EscobarNovember 12, 2021music competitions, competitions, composers of color, Sphinx Venture Fund, Sphinx, sphinx organization, BBIPOC musicians, BBIPOC classical musicians, BBIPOC composers, Art of the Piano Festival & Foundation, Awadagin Pratt, Nina Simone Piano Competition, Cincinnati Symphony Orchestra, College-Conservatory of Music at the University of Cincinnati, Manhattan School of Music, Alexa Smith, New York City Opera’s Duncan-Williams Voice Competition, The Juilliard School, Weston Sprott, Composing Inclusion, New York Philharmonic, American Composers Forum